That Floating Poo Was Far Too Meaningful! These Are the Television Disappointments of the Year.

Looking back, we consider the television landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular shortcomings. From cringe-inducing spin-offs to bafflingly poor documentaries, here are the productions that left us scratching our heads or just reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Burdened with dreadful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final series started, it looked like it had finally found its groove. Then arrived an episode all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final season. It ended on a bum note; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the least of this show's problems. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to begin enumerating the flaws. The hilariously wooden writing? The mind-numbing glorification of affluence and materialism? The seemingly wilful procession of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “each and every one” and forget about this series again. Except, a new season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this three-part docuseries which smirked its way at Sheen’s various episodes of self-destructive excess while failing to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be saved for the people who have had to suffer proximity with this charming but flippant egotist.

The Iris Affair

Naturally we understood it was ridiculous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t suffer the ignominy of having to accommodate unconvincing dialects. But there were many other problems. Primarily that it was just really dull; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Given the degree to which she provokes the ire of certain ostentatiously enraged commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint homemaking as deliberate provocations. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a lifestyle catalogue come to life; a meme for evening drinks with delusions of grandeur; a parade of snoozing dogs, humming beehives, Hallmark platitudes and pointless crafting “hacks” you’ll not remember instantly. All underpinned by immense, largely unearned wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the experience was like reading a marketing catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any helps with this guarded non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality overseeing her inheritance. What more could you want? As contestants competed, there was plenty of betrayal and squabbling. But the rules quickly became incomprehensible: it’s still too confusing to detail what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a production that was straining desperately to live up to something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was joyous to watch, embodying Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was insufficient. Plus, the abundance of celebrity friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have stayed in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We love the star … but did we buy him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a discovery that could ruin society? No! This globe-trotting thriller about secret services spying on – and eliminating – academics honestly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we wanted was way more interrogation of her true psychology, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to drag her son out of the queue. What we got was horrific shots and absolutely no interrogation of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Jasmine Leonard
Jasmine Leonard

A digital media strategist with over a decade of experience in streaming technology and content analysis.